Last week I was chosen to be the debut illustrator over at The Illustrated Singles Club – a new blog looking to find the visuals in new and upcoming music. The blog selects a new single and an illustrator and gives the illustrator freedom to interpret the song as they wish.
A week ago today I was given Tom Forest’s single ‘Summer’, which almost couldn’t have been more perfect a choice. The song is densely nostalgic – whimsical, but also completely sincere. Forest sings that, should he ever return to his days as a child, he will have ‘died and gone to heaven’. It’s poignant, while also being lifted by the rose-tinted childhood memories many of us can relate to. If there’s two themes I’ve ever loved exploring, it’s nostalgia and death.
I knew exactly what I wanted to draw by the end of the first chorus. The first few notes of the song immediately brought to mind a vast, baking desert with cracked earth – a single road running through. I soon knew I wanted that road to be lifting from the ground towards the sky, as it brings its travellers toward a ‘heaven’. The plodding bass at the beginning lent itself perfectly to a large, giant-like figure moving through this environment. Importantly, I wanted the sense of thick heat of the scene to lend it a feeling of hazy, drugged up magic – rather than something more apocalyptic.
Lastly is the queue of different characters climbing aboard the bus, mostly just everyday people, but toward the back some childlike fantasies and idols – maybe even human accomplishments – that eventually fade away much like we do.
With only a week to produce the piece, having smaller and less detailed features and characters worked in my favour. The piece was also a good excuse to get a firm understanding on Krita, an open source paint software I’m working towards transitioning to. I think it’s hugely important that artists feel as though they own the tools they use to create the work they do, and supporting open source where I can is an important part of that. There are still a few quirks I’m learning and things to iron out, and rendering feels a little slower than I’m used to (especially on Windows), but for every hurdle I’ve discovered something to keep me coming back, which is fantastic considering I haven’t paid a penny.
This was a brilliant project to get involved with, and a great excuse to produce something a bit more left of field than my illustration typically takes me. I hope I’ve done the blog proud.